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Here are all the paintings of Alexandre Cabanel 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 83510 |
 |
Aglaida and Boniface |
19th century
Medium oil on canvas
cyf |
| 73511 |
 |
Albayde |
Date 1848(1848)
Medium Oil on canvas
Dimensions 98 X 80 cm (38.58 X 31.5 in)
cyf |
| 96342 |
 |
Alexandre Cabanel |
Oil on Canvas
Date 1868
cyf |
| 51812 |
 |
Eleopatra Trying Out the Poison on Prisoners Sentenced to Death |
mk221
1887
Oil on canvas
87.6x148cm
|
| 86247 |
 |
Harmonie |
1877(1877)
Medium Oil on canvas
cyf |
| 10937 |
 |
La Comtesse de Keller |
1873.
3' 3" x 2' 6" ( 99x76 cm ).
Gift of Marquis and Marquis de Saint - Yves d'Alveydre, 1889. |
| 73176 |
 |
Ophelia |
Date 1883(1883)
Medium Oil on canvas
Dimensions 77 X 117.5 cm (30.31 X 46.26 in)
cyf |
| 20981 |
 |
Prince K A Gorchakov (san 05) |
1868
(Inv No 5093)Oil on canvas 26 1/2 x 22''(67 x 56 cm)(Ex coll Gorchakov St Petersburg) |
| 297 |
 |
The Birth of Venus |
1863
Musee d\'Orsay, Paris |
| 40730 |
 |
The Birth of Venus |
mk156
c.1863
Oil on canvas
130x225cm
|
| 54534 |
 |
The Birth of Venus |
mk235
1863
Oil oncanvas
130x225cm
|
| 296 |
 |
The Death of Francesca da Rimini and Paolo Malatesta |
1870
Musee d'Orsay, Paris |
| 51777 |
 |
The Love of Acis and Galatea |
mk221
1827
Oil on canvas
146x113.7cm
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| Alexandre Cabanel
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| 1823-1889
French Alexandre Cabanel Locations
French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.
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